Venue – Method Kala Ghoda
Date – Ongoing till 28th December, 2025
Description – Method Kala Ghoda is pleased to present Where is Jennifer?, a solo exhibition by contemporary artist Aditiya Singh, now on view until 28th December. This evocative body of work unfolds through acrylic, ink, and watercolour compositions that navigate the thin line between presence and absence, identity and illusion.
Is she in the acrylic, ink and watercolour of his paintings? Or in the grotesque imitations of her personage? Is she an idea, unravelled, multiplied and dissolved? Or a distorted echo, an almost haunted replica, of the one she claims to be.
Where is Jennifer is a show that presents the absurdity that can grow from failure. It’s one boy’s incessant need to capture Jennifer Aniston’s luminary presence on paper, time and time again, each attempt marked by distortion and malformation.
To Aditiya Singh, this failure is not a flaw. His practice emerges intuitively, propelled not by formal obedience but by a restless inner instinct. Through pareidolia, he excavates figures from chance textures and chaotic marks, pulling faces and forms out of surfaces that were never meant to hold them. What we see is less a depiction and more an apparition.
Painting for Aditiya is an act of compulsion, a nighttime ritual carried out in the solitude of his room. The canvases become containers for the overflow of his mind, its noise, its intensity, its humour, its dream logic captured indefinitely on them. Colour functions here not as description but as emotion in motion, shifting according to whatever pulses through him at the moment of creation. The works resist resolution; they remain open, raw, and unfiltered, refusing a single meaning or tidy narrative.
Aditiya moves between conventional and unconventional techniques, across mediums, driven by a desire to unmask unsaid human emotion.
Ultimately, Where is Jennifer is about the freedom born of failure, the humour of obsession, and the transformative power of seeing not what is there, but what insists on being found.
About the Artist — Aditiya Singh
Aditiya Singh (b. Mumbai) is a contemporary artist whose practice traverses painting, mixed media, and experimental collaborations across visual and performing arts. A graduate of the Rachna Sansad Academy of Fine Arts, Mumbai (2017), he works primarily with acrylic, ink, watercolour, and mixed media, combining conventional and unconventional techniques to reveal the complexity of human emotion.
His work has been exhibited at leading venues such as the Jehangir Art Gallery, Prince of Wales Museum, Tao Art Gallery, and the International Art Festival in Jaipur. Aditiya’s first solo at Jehangir Art Gallery was inaugurated by Amitabh Bachchan, Javed Akhtar, Shabana Azmi, and Jaya Bachchan — a moment that marked his early recognition within the Indian art scene.
Beyond the canvas, Aditiya’s art has found resonance in film, music, and public art initiatives. He has created artworks for feature films such as On the Blue Canvas and Autohead, both selected for international film festivals including Sitges, Hong Kong, and Berlin. His collaborations include album art for Lifafa’s Superpower 2020 and visual work for Peter Cat Recording Co. and other contemporary musicians.
Committed to art as a form of social engagement, Aditiya has taught with Teach for India and Saturday Art Class, sharing his creative practice with underprivileged children.
Through his emotionally charged imagery and layered visual language, Aditiya seeks to unmask the unsaid — tracing the inner lives and invisible feelings that define the human experience.
About Method
“The Revolution introduced me to art, and in turn art introduced me to the Revolution!”
– Albert Einstein
Whether Einstein was referring to a political awakening or a scientific upheaval, one thing is certain: art and the act of breaking away are fundamentally entwined.
Method is a space that embraces both introspection and “extrospection”, a way of engaging deeply with the self while also reaching outward into the cultural, political, and sensory ecosystems that shape our time. We believe that art is not just about creation but about conversation, transformation, and the continuous undoing of form and certainty. To create is to take a position—fluid, shifting, and
alive.
At its core, Method is committed to nurturing young and emerging practices. Our programming focuses on giving artists a platform at early stages of their careers, offering visibility, critical engagement, and a space to take risks. We prioritise fresh voices that challenge conventional narratives and expand the scope of contemporary art across disciplines, mediums, and contexts. With galleries in Mumbai and New Delhi, Method operates as a dynamic ecosystem for experimentation, conversation, and collaboration. We champion
practices that are conceptual, community-rooted, and bold in their departure from norms—regularly dissolving boundaries between the visual, performative, digital, and material.
Over the years, Method has grown beyond the physical space to become a platform for dialogue and discovery. We have participated in major national and international art fairs such as India Art Fair, Art Mumbai, and ARCO Lisboa, and continue to forge collaborations with artists, collectives, and institutions across geographies.
Method is less about arriving at answers and more about facilitating open-ended inquiries. We see ourselves as a space of friction and fluidity, where experimentation is encouraged, multiplicity is celebrated, and the revolution of thought, feeling, and form is always underway.
