‘Golpo Kotha’, A solo exhibition by Debosmita Samanta at Method,Delhi

Date: 9th October – 26th November

Time: 12 PM to 7 PM | Every day except Mondays

Venue – Method, Delhi D-59, Basement, Defence Colony.

Description:

Method Delhi presents Golpo Kotha, a solo exhibition Debosmita Samanta. The Exhibition explores the themes of intimacy, memory, and ancestral wisdom, all while weaving in the captivating world of fairytales that grandmothers often share.

However, Debosmita’s use of the term “fairytales” goes beyond mere fantasy; it encompasses the vivid stories her grandmother told, which were intricate blends of her own life experiences, adorned with rich metaphors that painted the complexities of her reality. The mythical characters she created were more than figments of imagination; they served as powerful symbols representing the harsh truths of our society and her personal battles against its injustices. This series was conceived through personal interviews with family members and women Debosmita has known since childhood. The characters she chose to illustrate are her family members, friends, and sometimes strangers whom she met during various trips. They provide a deep connection between art and personal heritage, offering viewers insight into our shared stories. Golpo Katha incorporates literary and visual references from various books, particularly Bengali fairy tales, short stories, and mythological narratives.

By structuring the series in this way, the narrative resonates beyond Debosmita’s personal experiences and speaks to others while honouring the rich tapestry of heritage and tradition that continues to shape who we are. Through this exploration of “Home,” the artist intends to highlight the profound connections that bind family members, the subtle changes that mark our evolution, and the enduring heritage that influences our identities.

About Debosmita Samanta

Debosmita Samanta was born and brought up in West Bengal. She completed her B.V.A (Painting) from the College of Art and Design, Burdwan University in 2010, and her M.F.A (Painting) from S.N. School of Arts and Communication, Hyderabad University in 2012. She has been awarded the prestigious Elizabeth Greenshields Foundation Grant, Canada, in 2025.

About Method

“The Revolution introduced me to art, and in turn art introduced me to the Revolution!”
– Albert Einstein

Whether Einstein was referring to a political awakening or a scientific upheaval, one thing is certain: art and the act of breaking away are fundamentally entwined.

Method is a space that embraces both introspection and “extrospection”—a way of engaging deeply with the self while also reaching outward into the cultural, political, and sensory ecosystems that shape our time. We believe that art is not just about creation but about conversation, transformation, and the continuous undoing of form and certainty. To create is to take a position—fluid, shifting, and alive.

At its core, Method is committed to nurturing young and emerging practices. Our programming focuses on giving artists a platform at early stages of their careers—offering visibility, critical engagement, and a space to take risks. We prioritise fresh voices that challenge conventional narratives and expand the scope of contemporary art across disciplines, mediums, and contexts. With galleries in Mumbai and New Delhi, Method operates as a dynamic ecosystem for experimentation, conversation, and collaboration.

We champion practices that are conceptual, community rooted, and bold in their departure from norms—regularly dissolving boundaries between the visual, performative, digital, and material.

Over the years, Method has grown beyond the physical space to become a platform for dialogue and discovery. We have participated in major national and international art fairs such as India Art Fair, Art Mumbai, ARCO Lisboa and Asia Now,, and continue to forge collaborations with artists, collectives, and institutions across geographies.

Method is less about arriving at answers and more about facilitating open-ended inquiries. We see ourselves as a space of friction and fluidity—where experimentation is encouraged, multiplicity is celebrated, and the revolution of thought, feeling, and form is always underway.